This time around, Pro Tools 11 joins Cakewalk SONAR X3 Producer and Logic Pro X in that you can buy them all as digital downloads, unlike Steinberg Cubase 7 and MOTU Digital Performer 8, both of which still require optical drives and retail store or mail-order purchases.Ħ4-bit Rewrite, Offline Bouncing, and Metering Pro Tools 11 is much faster than Pro Tools 10. But it's still an annoyance if you're using a laptop, particularly one with just one or two USB ports, such as with most Ultrabooks and the MacBook Air. That's not a problem if you're using a desktop machine, and at least iLok is a fairly widely used standard. Unfortunately, all versions of Pro Tools 11 require an iLok key, which is a USB copy protection dongle. The good news is that so much of Pro Tools 11 is available without Avid's high-end HDX interfaces you can run just about any feature natively now. These prices will likely give many current users pause. Owners of lower-end Avid interfaces like the Mbox Mini can upgrade Pro Tools Express to Pro Tools 11 for $499. Pro Tools 10 and 9 users can upgrade for $299 and $399, respectively, while 10 HD and 9 HD users can do the same for $599 and $999-the latter, while expensive, is much less than the $999 to $2,499 range Avid was charging last time around. Pro Tools HD 11 bumps the track count to a staggering 768/384/192 when paired with HDX hardware, including up to 192 simultaneous record inputs, and the simultaneous virtual instrument count jumps to 256.Įxisting Pro Tools users can upgrade to version 11, but at a high cost. Professional-level customers will want to look at Pro Tools HD 11, which can be used either natively or with HDX hardware ($9,999 and up, depending on configuration). You also get 512 MIDI tracks, 128 instrument tracks, 128 auxiliary tracks, 256 busses, and a video track. With native Pro Tools 11, you can play back up to 96 simultaneous stereo tracks at 48kHz, 48 tracks at 96kHz, or 24 tracks at 192kHz, with up to 32 tracks of simultaneous recording-the same as Pro Tools 10. Avid optimizes Pro Tools to work seamlessly with the company's hardware, including HD and its third-generation lineup of Mbox systems, all at extremely low latencies, but I was also able to achieve low latency with the Saffire 18i8 with little trouble. In both cases, I tested Pro Tools 11 with a Focus Saffire 18i8 audio interface. System Requirements and Packages For this review, I tested Avid Pro Tools 11.1.2 on two machines, one for each platform: A custom-built Intel Core i7 (Haswell) PC with 16GB RAM, a 256GB SSD, and a 3TB internal SATA drive and a MacBook Pro 15-inch with a quad-core 2.6GHz Core i7 processor, 16GB RAM, an internal 256GB SSD, and a 3TB 7200rpm Buffalo TeraStation external drive connected via USB 3.0. Pro Tools 11 is our Editors' Choice for PC-based recording software while it's equally awesome on the Mac side, Apple Logic Pro X edges it out there thanks to its robust feature set and unbelievable value. Pro Tools remains expensive, but it's definitely a case where you get what you pay for, particularly when it comes to audio recording and mixing workflow. ![]() For many musicians, recording engineers, and producers alike-at Abbey Road Studios and Skywalker Sound, right on down to the smallest bedroom studios-Pro Tools feels like home. ![]() ![]() Thanks to a brand-new 64-bit recording engine, a wholesale move to the AAX plug-in format, offline bouncing of audio tracks, and much more, Pro Tools 11 ($699 direct) re-establishes itself as the digital audio workstation (DAW) to get. It seems like it took forever, but Avid has finally brought Pro Tools up to speed with the rest of the recording software industry-and, in some ways, even surpassed the competition.
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